Tagged: Timothy Dalton
Licence to Kill: Bond’s Tropical Navy Casual Jacket
Timothy Dalton as James Bond in Licence to Kill (1989). Photo sourced from thunderballs007.org archive.
Vitals
Timothy Dalton as James Bond, rogue British government agent
From Key West, Florida to Bimini, Bahamas, Summer 1989
Film: Licence to Kill
Release Date: July 14, 1989
Director: John Glen
Costume Designer: Jodie Lynn Tillen
WARNING! Spoilers ahead!
Background
Timothy Dalton’s second James Bond movie, Licence to Kill, was released today in 1989, exactly a week before I was born. Dalton was still comfortably settling into the role, establishing a more serious characterization that echoed Ian Fleming’s literary creation more than Roger Moore’s witty romantic, but a series of legal disputes and cultural shifts resulted in Licence to Kill unexpectedly becoming Dalton’s swan song as 007. Continue reading
Timothy Dalton’s Shawl-Collar Dinner Jacket in The Living Daylights
Timothy Dalton as James Bond in The Living Daylights (1987). Source: thunderballs.org.
Vitals
Timothy Dalton as James Bond, British government agent
Bratislava, Fall 1986
Film: The Living Daylights
Release Date: June 27, 1987
Director: John Glen
Costume Designer: Emma Porteous
Costume Supervisor: Tiny Nicholls
Background
Happy birthday to Timothy Dalton, born 74 years ago today on March 21, 1946! To celebrate the Welsh actor’s birthday, I want to revisit Dalton’s debut as James Bond, bringing a serious, Ian Fleming-influenced approach two decades before Daniel Craig would approach the role in a similar manner.
Dalton had long been a contender for the role, turning it down twice due to his youth when the filmmakers sought a replacement for Sean Connery and then for George Lazenby. When it was unclear if Roger Moore would return for his trio of 007 films in the ’80s, Dalton’s name came up each time, but it wasn’t until Pierce Brosnan was contractually obligated to turn down the role to return to Remington Steele in 1986 that a pathway was finally opened for Dalton, then 40 years old and seasoned enough to play the agent, to slip into Bond’s finely tailored dinner jacket for The Living Daylights. Continue reading
Bond’s Leather Coat and Aston Martin in The Living Daylights
Timothy Dalton poses with an Aston Martin V8 as James Bond in The Living Daylights (1987)
Vitals
Timothy Dalton as James Bond, British government agent
Bratislava to Vienna, Winter 1986
Film: The Living Daylights
Release Date: June 27, 1987
Director: John Glen
Costume Designer: Emma Porteous
Costume Supervisor: Tiny Nicholls
Background
For a wintry #CarWeek post on the 00-7th of December, let’s look back to Timothy Dalton’s first—and best, in my opinion—adventure as James Bond in The Living Daylights, adapted and greatly expanded from Ian Fleming’s short story of the same name, though the primary plot of Fleming’s story is used up during the pre-credits defection sequence.
After noticing that reportedly a KGB sniper was a beautiful blonde cellist during the opening defection, Bond returned to Bratislava to meet the woman, Kara Milovy (Maryam D’Abo), in person. He persuades her to accompany him to Vienna, evading and eventually out-driving their KGB pursuers in 007’s tricked-out Aston Martin, which had been “winterized” and loaded with gadgets by Q (Desmond Llewelyn), MI6’s esteemed and exhausted quartermaster.
Bond’s Beige Bomber Jacket in The Living Daylights
Timothy Dalton as James Bond in The Living Daylights (1987)
Vitals
Timothy Dalton as James Bond, British government agent
Tangier, Morocco, Fall 1986
Film: The Living Daylights
Release Date: June 27, 1987
Director: John Glen
Costume Designer: Emma Porteous
Costume Supervisor: Tiny Nicholls
WARNING! Spoilers ahead!
Background
BAMF Style is sticking around in Morocco for the 00-7th of June after this week’s earlier post about the beige linen suit that Brad Pitt’s character wears in a Casablanca-set scene in the World War II thriller Allied (2016).
Thanks to a suggestion from a great BAMF Style reader, Sonny, today’s post takes a look at another famous spy famous for his sartorial savvy… although Timothy Dalton’s James Bond has a relatively dressed-down approach for his mission in Tangier during the actor’s first 007 film, The Living Daylights (1987).
Bond’s Gun Club Check in The Living Daylights
Timothy Dalton as James Bond in The Living Daylights (1987).
Vitals
Timothy Dalton as James Bond, British government agent
Oxfordshire, England, Fall 1986
Film: The Living Daylights
Release Date: June 27, 1987
Director: John Glen
Costume Designer: Emma Porteous
Costume Supervisor: Tiny Nicholls
Background
For the 00-7th of March, I’m finally getting around to my first post celebrating Timothy Dalton’s brief tenure as James Bond. After a few tumultuous years for the Bond franchise which saw Roger Moore going head to head with Sean Connery’s Never Say Never Again, Pierce Brosnan briefly signed to take over the role before Remington Steele came calling back, and a geriatric Roger Moore going head to head with Grace Jones in A View to a Kill, the franchise gave itself its first attempt at a reboot.
Timothy Dalton had long been considered for the Bond role, first approached nearly 20 years earlier when Sean Connery walked away after You Only Live Twice. Dalton made the mature decision of realizing that – not yet 25 years old – he wasn’t old enough for every man’s dream role nor did he want to try to steal the spotlight from Connery. After Moore’s retirement and Brosnan’s recall to TV in 1986, Dalton was again approached and finally decided to take the role.
Dalton had been a fan of Ian Fleming’s novels, so his portrayal meant a return to the basics: less lavish outrageousness and more grounded seriousness. Dalton’s Bond was a seasoned, professional spy who shared his predecessors’ appreciation – if not weakness – for fast cars, women, and martinis.
In this scene, Bond is called to MI6’s Blayden House (actually Stonor House in Oxfordshire), where his superiors are debriefing with General Georgi Koskov, the loquacious ex-KGB official played by Jeroen Krabbé, the Dutch actor who seemingly specializes in playing charmingly eccentric villains whose treachery is always discovered in the final act. Continue reading